{"id":3685,"date":"2017-08-03T11:33:40","date_gmt":"2017-08-03T08:33:40","guid":{"rendered":"http:\/\/MaaKali.orG\/ResidenceSEA\/?p=3685"},"modified":"2017-08-03T11:43:31","modified_gmt":"2017-08-03T08:43:31","slug":"unveiling-a-parallel-2016","status":"publish","type":"post","link":"https:\/\/MaaKali.orG\/ResidenceSEA\/unveiling-a-parallel-2016\/","title":{"rendered":"UNVEILING A PARALLEL – 2016"},"content":{"rendered":"

Last year polish artist Dorota Walentynowicz was working at the ResidenceSEA building props for her short film \u201cUnveiling a Parallel”.<\/a> Following her line of work with camera-objects, she constructed a mobile “Marsochod” – a travesty of a space vehicle, which is exploring and scanning the surface of a foreign planet.<\/span><\/p>\n

\"\"<\/a><\/span><\/p>\n

On Sunday, August 6 at 9 PM the film will be screened at the open-air theatre Pyli Vithlem in Heraklio.<\/span><\/p>\n

(\u0391\u03bd\u03bf\u03b9\u03c7\u03c4\u03cc \u0398\u03ad\u03b1\u03c4\u03c1\u03bf ‘\u03a0\u03cd\u03bb\u03b7 \u0392\u03b7\u03b8\u03bb\u03b5\u03ad\u03bc\u2019 \u0397\u03c1\u03ac\u03ba\u03bb\u03b5\u03b9\u03bf)<\/span><\/p>\n

Once upon a time Mars was that other place, where the future was projected. Now we know that there is no other place.<\/span><\/p>\n

synopsis:<\/span><\/p>\n

Drawing from history of optics, mass-media, literature, chemistry and astrobiology, Dorota Walentynowicz creates an interdisciplinary narration about how development of imagination is conditioned by the development of technology. \u00a0The main scenario of the movie is based on Victorian feminist dystopian novel \u201cUnveiling a Parallel\u201d by Ella Merchant and Alice Ilgenfritz Jones (1893), presenting Mars as idealised parallel better world, governed by a just social order, equality of sexes, respect for nature and ideal system of values. The film also employs a para-documentary material about the mineral structure of the \u201cred planet\u201d, laboratory sampling, spectrum analysis, and experiments in abiogenesis – here the visual material is accompanied by a song about environmental catastrophe, which ends the film in a manner of a music video, questioning humanity\u2019s infinite faith in science and progress.<\/span><\/p>\n

\"\"<\/a><\/p>\n

\u201c<\/span>\u0391\u03a0\u039f\u039a\u0391\u039b\u03a5\u03a8\u0397 \u03a4\u039f\u03a5 \u03a0\u0391\u03a1\u0391\u039b\u039b\u0397\u039b\u039f\u03a5<\/span>\u201d (2016)<\/span><\/p>\n

\u03a4\u03bf\u03bd \u03c0\u03b1\u03bb\u03b9\u03cc \u03ba\u03b1\u03b9\u03c1\u03cc, \u03bf \u0386\u03c1\u03b7\u03c2 \u03ae\u03c4\u03b1\u03bd \u03ad\u03bd\u03b1 \u03ac\u03bb\u03bb\u03bf \u03bc\u03ad\u03c1\u03bf\u03c2, \u03cc\u03c0\u03bf\u03c5 \u03b5\u03ba\u03b5\u03af \u03c0\u03c1\u03bf\u03b2\u03b1\u03bb\u03bb\u03cc\u03c4\u03b1\u03bd \u03c4\u03bf \u03bc\u03ad\u03bb\u03bb\u03bf\u03bd. \u03a4\u03ce\u03c1\u03b1 \u03be\u03ad\u03c1\u03bf\u03c5\u03bc\u03b5 \u03cc\u03c4\u03b9 \u03ac\u03bb\u03bb\u03bf \u03bc\u03ad\u03c1\u03bf\u03c2 \u03b4\u03b5\u03bd \u03c5\u03c0\u03ac\u03c1\u03c7\u03b5\u03b9.<\/span><\/p>\n

\u03c3\u03cd\u03bd\u03bf\u03c8\u03b7:<\/span><\/p>\n

\u039c\u03b5 \u03ad\u03bc\u03c0\u03bd\u03b5\u03c5\u03c3\u03b7 \u03b1\u03c0\u03cc \u03c4\u03b7\u03bd \u03b9\u03c3\u03c4\u03bf\u03c1\u03af\u03b1 \u03c4\u03b7\u03c2 \u03bf\u03c0\u03c4\u03b9\u03ba\u03ae\u03c2, \u03c4\u03b1 \u039c\u039c\u0395, \u03c4\u03b7 \u03c7\u03b7\u03bc\u03b5\u03af\u03b1 \u03ba\u03b1\u03b9 \u03c4\u03b7\u03bd \u03b1\u03c3\u03c4\u03c1\u03bf\u03b2\u03b9\u03bf\u03bb\u03bf\u03b3\u03af\u03b1, \u03b7 \u039d\u03c4\u03bf\u03c1\u03cc\u03c4\u03b1 \u0392\u03b1\u03bb\u03b5\u03bd\u03c4\u03af\u03bd\u03bf\u03b2\u03b9\u03c4\u03c2 \u03b4\u03b7\u03bc\u03b9\u03bf\u03c5\u03c1\u03b3\u03b5\u03af \u03bc\u03b9\u03b1 \u03b4\u03b9\u03b5\u03c0\u03b9\u03c3\u03c4\u03b7\u03bc\u03bf\u03bd\u03b9\u03ba\u03ae \u03b1\u03c6\u03ae\u03b3\u03b7\u03c3\u03b7 \u03b3\u03b9\u03b1 \u03c4\u03bf \u03c0\u03ce\u03c2 \u03b7 \u03b1\u03bd\u03ac\u03c0\u03c4\u03c5\u03be\u03b7 \u03c4\u03b7\u03c2 \u03c6\u03b1\u03bd\u03c4\u03b1\u03c3\u03af\u03b1\u03c2 \u03bf\u03c1\u03af\u03b6\u03b5\u03c4\u03b1\u03b9 \u03b1\u03c0\u03cc \u03c4\u03b7\u03bd \u03b1\u03bd\u03ac\u03c0\u03c4\u03c5\u03be\u03b7 \u03c4\u03b7\u03c2 \u03c4\u03b5\u03c7\u03bd\u03bf\u03bb\u03bf\u03b3\u03af\u03b1\u03c2.<\/span><\/p>\n

\u03a4\u03bf \u03b2\u03b1\u03c3\u03b9\u03ba\u03cc \u03c3\u03c4\u03cc\u03c1\u03b9 \u03c4\u03b7\u03c2 \u03c4\u03b1\u03b9\u03bd\u03af\u03b1\u03c2 \u03c3\u03c4\u03b7\u03c1\u03af\u03b6\u03b5\u03c4\u03b1\u03b9 \u03c3\u03c4\u03bf \u03b2\u03b9\u03ba\u03c4\u03c9\u03c1\u03b9\u03b1\u03bd\u03cc \u03b4\u03c5\u03c3\u03c4\u03bf\u03c0\u03b9\u03ba\u03cc \u03bc\u03c5\u03b8\u03b9\u03c3\u03c4\u03cc\u03c1\u03b7\u03bc\u03b1 \u201cUnveiling a Parallel\u201d \u03c4\u03c9\u03bd Ella Merchant \u03ba\u03b1\u03b9 Alice Ilgenfritz Jones (1893), \u03cc\u03c0\u03bf\u03c5 \u03bf \u0386\u03c1\u03b7\u03c2 \u03c0\u03b1\u03c1\u03bf\u03c5\u03c3\u03b9\u03ac\u03b6\u03b5\u03c4\u03b1\u03b9 \u03c9\u03c2 \u03ad\u03bd\u03b1\u03c2 \u03b5\u03be\u03b9\u03b4\u03b1\u03bd\u03b9\u03ba\u03b5\u03c5\u03bc\u03ad\u03bd\u03bf\u03c2 \u03c0\u03b1\u03c1\u03ac\u03bb\u03bb\u03b7\u03bb\u03bf\u03c2 \u03ba\u03b1\u03bb\u03cd\u03c4\u03b5\u03c1\u03bf\u03c2 \u03ba\u03cc\u03c3\u03bc\u03bf\u03c2, \u03bc\u03b5 \u03ad\u03bd\u03b1 \u03b4\u03af\u03ba\u03b1\u03b9\u03bf \u03ba\u03bf\u03b9\u03bd\u03c9\u03bd\u03b9\u03ba\u03cc \u03ba\u03b1\u03b8\u03b5\u03c3\u03c4\u03ce\u03c2, \u03b9\u03c3\u03cc\u03c4\u03b7\u03c4\u03b1 \u03c4\u03c9\u03bd \u03c6\u03cd\u03bb\u03c9\u03bd, \u03c3\u03b5\u03b2\u03b1\u03c3\u03bc\u03cc \u03c3\u03c4\u03b7 \u03c6\u03cd\u03c3\u03b7 \u03ba\u03b1\u03b9 \u03ad\u03bd\u03b1 \u03b9\u03b4\u03b1\u03bd\u03b9\u03ba\u03cc \u03c3\u03cd\u03c3\u03c4\u03b7\u03bc\u03b1 \u03b1\u03be\u03b9\u03ce\u03bd. \u0397 \u03c4\u03b1\u03b9\u03bd\u03af\u03b1 \u03c0\u03b1\u03c1\u03ad\u03c7\u03b5\u03b9 \u03b5\u03c0\u03af\u03c3\u03b7\u03c2 \u03c5\u03bb\u03b9\u03ba\u03cc \u03b1\u03bd\u03c4\u03b9-\u03bd\u03c4\u03bf\u03ba\u03b9\u03bc\u03b1\u03bd\u03c4\u03ad\u03c1 \u03b3\u03b9\u03b1 \u03c4\u03b7\u03bd \u03bf\u03c1\u03c5\u03ba\u03c4\u03ae \u03b4\u03bf\u03bc\u03ae \u03c4\u03bf\u03c5 \u039a\u03cc\u03ba\u03ba\u03b9\u03bd\u03bf\u03c5 \u03a0\u03bb\u03b1\u03bd\u03ae\u03c4\u03b7, \u03b5\u03c1\u03b3\u03b1\u03c3\u03c4\u03b7\u03c1\u03b9\u03b1\u03ba\u03ac \u03b4\u03b5\u03af\u03b3\u03bc\u03b1\u03c4\u03b1, \u03b1\u03bd\u03ac\u03bb\u03c5\u03c3\u03b7 \u03c6\u03ac\u03c3\u03bc\u03b1\u03c4\u03bf\u03c2 \u03ba\u03b1\u03b9 \u03c0\u03b5\u03b9\u03c1\u03ac\u03bc\u03b1\u03c4\u03b1 \u03c3\u03c4\u03b7\u03bd \u03b1\u03b2\u03b9\u03bf\u03b3\u03ad\u03bd\u03b5\u03c3\u03b7 \u2013 \u03b5\u03b4\u03ce \u03c4\u03bf \u03bf\u03c0\u03c4\u03b9\u03ba\u03cc \u03c5\u03bb\u03b9\u03ba\u03cc \u03c3\u03c5\u03bd\u03bf\u03b4\u03b5\u03cd\u03b5\u03c4\u03b1\u03b9 \u03b1\u03c0\u03cc \u03ad\u03bd\u03b1 \u03c4\u03c1\u03b1\u03b3\u03bf\u03cd\u03b4\u03b9 \u03b3\u03b9\u03b1 \u03c4\u03b7\u03bd \u03c0\u03b5\u03c1\u03b9\u03b2\u03b1\u03bb\u03bb\u03bf\u03bd\u03c4\u03b9\u03ba\u03ae \u03ba\u03b1\u03c4\u03b1\u03c3\u03c4\u03c1\u03bf\u03c6\u03ae, \u03ba\u03bb\u03b5\u03af\u03bd\u03bf\u03bd\u03c4\u03b1\u03c2 \u03c4\u03b7\u03bd \u03c4\u03b1\u03b9\u03bd\u03af\u03b1 \u03c3\u03b5 \u03bc\u03bf\u03c1\u03c6\u03ae \u03b2\u03b9\u03bd\u03c4\u03b5\u03bf\u03ba\u03bb\u03af\u03c0, \u03b1\u03bc\u03c6\u03b9\u03c3\u03b2\u03b7\u03c4\u03ce\u03bd\u03c4\u03b1\u03c2 \u03c4\u03b7\u03bd \u03b1\u03c0\u03cd\u03b8\u03bc\u03b5\u03bd\u03b7 \u03c0\u03af\u03c3\u03c4\u03b7 \u03c4\u03b7\u03c2 \u03b1\u03bd\u03b8\u03c1\u03c9\u03c0\u03cc\u03c4\u03b7\u03c4\u03b1\u03c2 \u03c3\u03c4\u03b7\u03bd \u03b5\u03c0\u03b9\u03c3\u03c4\u03ae\u03bc\u03b7 \u03ba\u03b1\u03b9 \u03c4\u03b7\u03bd \u03c0\u03c1\u03cc\u03bf\u03b4\u03bf.<\/span><\/p>\n

Director : Dorota Walentynowicz<\/span>\r\nDirector of Photography : Vasilis Flouris<\/span>\r\nEditing : Vasilis Flouris, Dorota Walentynowicz<\/span>\r\nColoring : Vasilis Flouris<\/span>\r\nCamera operators : Anna Doma\u0144ska, Vasilis Flouris<\/span>\r\nMusic : Thomas Woerle\r\n<\/span>\r\ncast:<\/span>\r\nMaster - Antonis Perantonakis<\/span>\r\nElodia - Eleni Strataki<\/span>\r\nSeverinus - Ian Abtzigiannes<\/span>\r\nClytia - Maria Fouraki<\/span>\r\nAriadne - Anna Doxastaki<\/span>\r\nNarrator - Konstantinos Chliavoras<\/span>\r\nAssistant Director - Maria Papadaki<\/span>\r\nActing coach - Konstantina Palli<\/span>\r\nProducers - Fani Anagnostou, Martha Lyroni<\/span>\r\nAssistant Producers - Myrto Alexaki, Maria Papadaki<\/span>\r\nGaffer - Yiannis Mathioudakis<\/span>\r\nHair & Makeup - Myrto Alexaki<\/span>\r\nScript \u2013 Anastasia Palisidou<\/span>\r\nSound Supervisor- Tomas Schenk<\/span>\r\nBoom - Marietta Grammatikaki<\/span>\r\nProps: Dorota Walentynowicz<\/span>\r\nCostumes : Terril Scott, Dorota Walentynowicz<\/span>\r\nOriginal Music : Thomas Woerle<\/span>\r\n\u201cEnvironmental catastrophe\u201d<\/span>\r\nlyrics: Dorota Walentynowicz<\/span>\r\nmusic : Angelika Reichert<\/span>\r\nperformed by : Angelika Reichert and xxx<\/span>\r\n\u201cCassini Radio Emissions\u201d<\/span>\r\n\r\nNASA sound library<\/span>\r\nCreative Commons Attribution 3.0\u00a0<\/span>\r\nremixed by : Dorota Walentynowicz\r\n<\/span>\r\nScientific support<\/span>\r\ndr Claire Cousins (Department of Earth and Environmental Sciences, University of St. Andrews, UK)<\/span>\r\ndr Giannis Grammatikakis (Institute of Electronic Structure and Laser, Foundation for Research and Technology, Heraklion, Greece)<\/span>\r\nprof Iossif Papadakis (Department of Physics, University of Crete, Greece)<\/span>\r\ndr hab W\u0142odzimierz Zgoda (Department of Chemistry, Gda\u0144sk Medical University, Poland)<\/span>\r\ndr hab Katarzyna Lema\u0144ska (Department of Technology and Instumental Analysis, Pozna\u0144 Economic University, Poland)<\/span>\r\n\r\nastral imagery : curtesy of Skinakas Observatory Crete and the Department of Physics, University of Crete, Greece<\/span>\r\n\r\nshot on location:<\/span>\r\nExo Mars testing site, Namafjall, Krafla, Iceland<\/span>\r\nPsiloritis (Mount Ida), Crete, Greece<\/span>\r\n\r\nFunded and Supported by<\/span>\r\nCity of Gdansk Culture Scholarship <\/span>\r\nCultural Scholarship of Pomerania Voivodship<\/span>\r\nEurope Direct Crete <\/span>\r\nLaznia Center for Contemporary Art Gdansk <\/span>\r\nEEA Grant Iceland-Liechtenstein-Norway <\/span>\r\n\r\nSpecial thanks to:<\/span>\r\nThe Social Centre of Kalokairinos' Foundation, Heraklion GR<\/span>\r\nDiaRtiriteo, Heraklion GR\u00a0<\/span>\r\nMunicipality of Anogia GR\u00a0<\/span>\r\nLaCulturel\u00e1 Crete GR<\/span>\r\nResidenceSEA Heraklion GR<\/span>\r\nSoundplay Residency Seidisfjordur IS<\/span>\r\n\r\nsponsored by:<\/span>\r\nEnagron Ecotourism\u00a0<\/span>\r\nStudio Anna\u00a0<\/span>\r\nEllie Pharmacy\u00a0<\/span>\r\nFreshsnack Catering<\/span><\/pre>\n","protected":false},"excerpt":{"rendered":"
Last year polish artist Dorota Walentynowicz was working at the ResidenceSEA building props for her short film \u201cUnveiling a Parallel”. Following her line of work with camera-objects, she constructed a mobile “Marsochod” – a travesty of a space vehicle, which is exploring and scanning the surface of a foreign planet. On Sunday, August 6 at … Continue reading UNVEILING A PARALLEL – 2016<\/span> →<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":2731,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-3685","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/MaaKali.orG\/ResidenceSEA\/wp-json\/wp\/v2\/posts\/3685","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/MaaKali.orG\/ResidenceSEA\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/MaaKali.orG\/ResidenceSEA\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/MaaKali.orG\/ResidenceSEA\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/MaaKali.orG\/ResidenceSEA\/wp-json\/wp\/v2\/comments?post=3685"}],"version-history":[{"count":5,"href":"https:\/\/MaaKali.orG\/ResidenceSEA\/wp-json\/wp\/v2\/posts\/3685\/revisions"}],"predecessor-version":[{"id":3691,"href":"https:\/\/MaaKali.orG\/ResidenceSEA\/wp-json\/wp\/v2\/posts\/3685\/revisions\/3691"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/MaaKali.orG\/ResidenceSEA\/wp-json\/wp\/v2\/media\/2731"}],"wp:attachment":[{"href":"https:\/\/MaaKali.orG\/ResidenceSEA\/wp-json\/wp\/v2\/media?parent=3685"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/MaaKali.orG\/ResidenceSEA\/wp-json\/wp\/v2\/categories?post=3685"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/MaaKali.orG\/ResidenceSEA\/wp-json\/wp\/v2\/tags?post=3685"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}